Monthly Archives: May 2006

Beauty in Photography: Essays in defense of traditional values by Robert Adams

Beauty in Photography : Essays in Defense of Traditional ValuesA curious collection of short essays that, reveal their origins in the cursory style intrinsic to many magazines. As magazine articles, they would have acquitted themselves splendidly. However, this same brevity in a book of this nature becomes its Achilles heel. As a loose collection of essays skirting the subject of beauty it succeeds. However, as a cogent philosophy on beauty in photography it’s very brevity delivers a superficial gloss at best.

On reflection, I can’t help but wonder if the fault here lies not with the author but with it’s publisher whom, under commercial pressures to publish or perish thought that assembling a loose collection of fairly unconnected essays would somehow slip under the radar of the discerning reader? I say this for two reasons. Firstly, that the author has seen fit to include an apology with regard to his lack of writing rigour in the book’s foreword.

Secondly, I would argue that no person in their right mind could expect to deal with the gritty issues of aesthetic philosophy in as little as one hundred pages. Unfortunately, the cursory way these are assembled do neither the author or publishers any favours as the subject of beauty requires substantially more rigour, depth and analysis.

Perhaps this book would have been more accurately titled: A collection of short essays on photography by Robert Adams.

However, if you know little of aesthetic philosophy and wish to whet your appetite in broad terms on beauty and aesthetics delivered in Robert’s eloquent yet clear writing style, then this book will hold your attention for the two hours it takes to read it.

At the Edge of the Light: Thoughts on Photography and Photographers, on Talent and Genius by David Travis

At the Edge of the Light: Thoughts on Photography and Photographers, on Talent and GeniusWhether it’s a re-interpretation of Bresson’s “decisive moment” or his feeling of strangeness that Kertesz’s Chez Mondrian remained unpublished and unknown for so long; David Travis’ seven essays make for an excellent afternoon’s read and offers insight into some of the subtle nuances that comprise the gamut of photographic genius. In fact, I found his essay on Kertesz more interesting for what it said about Mondrian than about Kertesz himself although it does provide context for his meticulous compositions Chez Mondrian and Mondrian’s Pipe and that the Mondrian studio environment may have “helped to discipline [Kertesz's] lyrical eye.”

I’m afraid I was less than convinced with the curious relationship of number theory to photographic composition. Particularly the statement attributed to Cantor that “…these two sets form the same size of infinite set..” (an absurdity without dimension) and I switched-off from the details at that point. I did however, enjoy his conjecture regarding the role of the subconscious in both mathematical and artistic creativity and the acknowledgment that inspiration and perspective is often found far away from the perceived comfort of our own artistic discipline. For me this is where the book’s title made every sense and on reflection served as it most important lesson.

Travis’ final three essays offer plausible conjecture into the generational stages of Weston, Stieglitz and Strand not only with regards to the chronology of creative expression as identified by the Japanese tea master Sen no Rikyu but also because there is much within the Rikyu aesthetic that speaks to their latter work.

Well recommended!!

Stern Warning – 2006 WPPD entry

Photo: Stern WarningUnprinted photo titled Stern Warning depicting the wreck of the George Rennie at the Northern end of Picnic Bay, Magnetic Island looking out across Cleveland Bay. Photographed on a Shen-hao HZX 4X5-IIA Field Camera, .5mm pinhole lens @ f/296, 10min on Polaroid 55p/n film.

Originally, this steel hulled paddle steamer is reported to have been built in Middlesex, England as a 151 gross ton vessel in 1885. Later in 1896 the ship was bought by the shipping company Howard Smith & Sons and then transformed into a lighter and used between West Point (Magnetic Island) and Townsville. It was finally beached in 1902 at at the Northern end of Picnic Bay to be used as a breakwater for a small jetty.

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